![]() Having too much variety or too much harmony can make the art piece incomprehensible and aimless. It’s important to keep balance and know when to stop. Do you want to play with shapes, or will the line variety work best for that concept? Don’t skip this step even if you’re completely sure there’s always a chance that doing it slightly differently will elevate your work.ģ) Create your artwork and remember to evaluate it during the creative process. What theme would it be about, what kind of emotion does it convey, and what genre do you prefer for it?Ģ) Make several drawing sketches, in color as well, to try out different methods for adding variety. Let’s find out how you can work towards achieving perfectly balanced variety in your work.ġ) Start by determining what exactly you want your work to be like. How to get started with variety in your own work? The left side, to balance the large shape of the main gondola, has two smaller gondolas, which further adds to the asymmetry and variety. The line of the buildings on the horizon breaks, and with it, so does the repetitive pattern, making the right side of the painting slightly different from the left. The painting is made grey, muted, and minimalistic on purpose to create a certain atmosphere, but it still has some details to notice. Gondolas on the Lagoon (Grey Lagoon), 1765, painted by Francesco Guardi, is an artwork in which the variety is subtle, but perhaps saves the entire composition. This will help spice things up and produce good art. Add some perspective, and make some objects bigger or smaller on purpose. Size variety is self-explanatory, and even if you repeat the same object multiple times, you can change up their sizes to add visual appeal.Įven if the things you’re capturing are monotonous and repetitive, play with the size of the elements a little. If you need to use repetitive shapes, try adding different elements, or making them different sizes to introduce variety in art. This works for both positive and negative shapes. Using geometric shapes close to organic shapes create variety. Juxtaposing very different forms can result in an unexpectedly unique look. You’re more than welcome to alter these parameters and see an entirely different harmony in your artwork. Shapes can be bigger or smaller, lighter or darker, organic or geometric, and have more or less visual weight. The same shapes throughout the composition look repetitive and bland (unless that’s what you were going for). Shape variety, or its absence, is usually very easy to notice. Or learn from Marco Bucci’s Color Survival Guide. Yet, if you make very tiny saturated specs throughout, it could simply result in added visual interest and a sense of harmony.Ĭheck out this list of 20 best art books to learn more about colors and color theory. This might, in turn, become the focal point of your artwork. For example, you could make most of the image desaturated but leave a spot of wildly saturated color. Value defines how dark or light the color is (think about how dark or light it would look if you turned your work to greyscale).įor example, varying saturation can result in very intriguing results. Hue means the color’s location on the color wheel. Saturation represents the intensity of your color, and how vivid it is. The color variety implies varying your saturation, value, and hue. It is rare that an artwork includes only one element most of the time, it’s a combination of numerous methods and various elements. There are multiple ways in which artists add variety to their complete composition. You can use multiple or just a couple of types at a time. However, you don’t really need to define your chosen way of adding variety in art by a certain method. For example, intricate capital letters at the beginning of ancient handwritten scripts. Hue, position, size – this difference will draw viewers attention even if subtle and make the work interesting while still keeping it unified.Įlaboration in art refers to adding extra details and complexity to increase interest in your work. This implies that you’re repeating the art elements that are pretty similar but only changing one aspect of them. It makes the artwork more dynamic and eye-catching. Using forms, textures, and colors that differ significantly from one another. You can also call them the three types of variety. ![]() There are three commonly known methods of adding variety to the composition. How exactly do artists achieve variety in art? Variety is present virtually everywhere and can be practically anything, but is there a method behind it? ![]()
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